There’s a great recent New Yorker article talking about the Daily Mail’s rise to success. Regardless of your opinion about the paper’s content, the folks running it sure know what they’re doing (bolding is mine):
Dacre was born in London in 1948. His father, Peter, an orphan who had made his way from Yorkshire to Fleet Street, worked as a show-biz editor for the Sunday Express. His mother, Joan, a teacher, bore five sons, of whom Paul was the eldest. The family lived in Arnos Grove, a middle-class area just north of the city. Dacre still thinks of his childhood neighborhood as the spiritual habitat of his archetypal reader: “Its inhabitants were frugal, reticent, utterly self-reliant, and immensely aspirational. They were also suspicious of progressive values, vulgarity of any kind, self-indulgence, pretentiousness, and people who know best.” Friday nights, Dacre would rush to grab the carbon-copy black out of his father’s briefcase. The ticking of a telex machine lulled him to sleep.
“From virtually the moment I was born, I wanted to be an editor,” Dacre told the Society of Editors in 2008. “Not just wanted, if I’m being honest. Hungered. Lusted with a passion that while unfulfilled, would gnaw at my entrails.” He won a scholarship to a private school, where he edited the campus magazine. One of the first issues, an “achingly dull” examination of the preacher Billy Graham, who was touring Britain at the time, “went down like a sodden hot cross bun.” The next month, he sneaked some expletives into the magazine. He realized, he said, that “sensation sells.”
And then:
Mensch told me that she “doesn’t sit comfortably” with the Mail’s social illiberalism, but that she and her friends are nevertheless addicted, especially to the Web site. “One of the reasons it’s so egregious is because it’s so readable,” she said. “We’re clicking on ‘Oh my God, one of the WAGs couldn’t put her hair up because she’d freshly painted her nails’ ”—this was a real item on Mail Online—“and then you’re thinking, Why am I reading this? I’m an adult.”
One more dandy:
Clarke and his staff built the site by instinct. “I didn’t look at that many Web sites for design ideas,” he told me. Formally, they stuck with what they knew, developing a publishing system that allows them to put together the home page with the glue-pot flexibility of a newspaper, rather than having to slot stories into a template. The home page is hectic, with hundreds of stories competing for the reader’s attention. It is unusually long—literally, like a scroll—as are its headlines. (Both tactics help to bolster its search-engine rankings.) It uses far more pictures, and in larger sizes, than its competitors. “The site breaks all so-called ‘usability rules,’ ” Clarke said. “It’s user-friendly for normal people, not for Internet fanatics.”
My takeaways:
- The paper clearly knows who its customer is and what she responds to. They deeply understand how the average human is feeling and she views the world.
- They know where her hot buttons are and how to push them. Sensation, however you define it in your market, will always draw eye balls.
- Readability and simplicity in communication is so often overlooked. Don’t let your words get in the way of the message you wish to convey. Even the cultured folk were getting sucked in by the paper’s easy words.